Who completes sad documents?

What is sadness

We are going through one of the events that will mark us in our history, living through a pandemic and assuming the quarantine that it concerns, has been complex, confusing, abrupt and challenging. Going through doubt, fear, uncertainty, frustration and sometimes sadness.

However, these factors and intense sensations have led us to strengthen our ability to adapt to the abrupt changes we have been living, develop our creativity to build new solutions that generate us utility and welfare, has led us to obtain skills, competencies and attitudes that perhaps we did not know we had inside us, this process has generated a great wisdom to transform and improve.

And to be able to see and feel this perspective it is necessary to live a process of mourning for all that is no longer, is no longer and we have lost. We have remained in a state of alertness that has generated caution, caution, fear and this sometimes has led us to feel great anxiety about what is coming, the unknown, creating thoughts and ideas that become negative assumptions about the future, generating a state of anguish. So sometimes when we let our guard down in situations we cannot control, it causes us to feel a sense of resignation, sadness, of giving up.

How sadness manifests itself

Learning that you have cancer can be overwhelming, not only for you, but also for your friends and family. Often, people don’t know what to say. They may feel sadness and discomfort, as well as fear of causing you concern. They may be afraid of losing you. Sometimes it is easier for people to say nothing because they are afraid of saying something inappropriate. Some people find it easier to talk, while others may be overly reserved or overly effusive in an attempt to be encouraging.

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Sometimes just being with a person can be more meaningful than anything you could say to them. In this document, we offer some suggestions for you, your family and friends to talk about cancer. In this way, you will feel more comfortable broaching the subject with each other.

It is natural to wonder “why me?” or to feel sad, angry or afraid. You will most likely experience many different emotions as you learn more about your diagnosis and begin to learn about your treatment options. Physical and chemical changes related to treatment or to the disease itself may also affect your emotions. The first step is to acknowledge to yourself how you feel, and it is okay to accept feeling the way you feel.

Pathological sadness

Emotions are reactions that we all experience: joy, sadness, fear, anger… They are familiar to all of us, but they are not without complexity. Although we have all felt anxiety or nervousness, not all of us are aware that a poor management of these emotions can lead to a blockage or even illness.

To explain more deeply the changes we experience, let us focus on the fear we feel, for example, in a dangerous situation in which our own life may be at stake.

On a cognitive level, that is, in terms of our capacity for understanding, judgment, memorization and reasoning, fear can make us lose the ability to control our behavior, causing us to react in a similar way to other less evolved species such as reptiles. That is, we will react by trying to decide whether we have a better chance of survival by fighting, fleeing or remaining paralyzed. This way of reacting, this “program”, resides in the amygdala, in the deepest part of our brain. In this “emotional” organ we have neither conscience nor decision capacity and also in it are registered the events that we have lived and the sensations that we have perceived, what makes us not forget what has happened to us and try to avoid it in the future.

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What is sadness good for

The purpose of this paper is to make some analytical considerations on the novel “Tres tristes tigres” (1) with which the Cuban writer Guillermo Cabrera Infante -under the initial title of “Vista del amanecer en el trópico”- won the Biblioteca Breve Prize in Barcelona in 1964.

This generates the model of an “open novel” that assumes another type of reader: if the text is a metaphor of reality and reality is writing, the novel is “fiction”, and it is from that open metaphor that the reader must reconstruct the world.

Accordingly, we will focus on an analysis of the novel that recovers our own reading experience in the process of demonstrating those characteristics pointed out in the novel, despite the multiplicity of articles and views of the specialized critics that it has generated.

The title itself defines a first sense present and summoned: the popular tongue twister evokes from the cacophony the idea of the game of language and the presence of orality. This title that has worried critics in terms of its content (7) has been desacralized by Cabrera Infante himself, who has emphasized its very essence of “game”, gloating sounds, “part of a tongue twister that means nothing” (8). This is what defines a first hypothesis insofar as the title, as a “sense of form”, means in terms of another conception of literature that is no longer attentive to “the issues”, to the contents of a reality, but to language as its signifying matter.

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